G.F. Handel - Orlando

ACT 1
1.
 Ouverture
2.
 Acc. "Gieroglifici eterni"
3.
 Cavatina "Stimulato della gloria"
4.
 Rec. "Purgalo ormai" / Sinfonia / Rec. "Mira"
5.
 Aria "Lascia Amor"
6.
 Acc. "Imagini funeste" / Aria "Non fu già"
7.
 Acc. "Quanto diletto" / Rec. "Io non so" / Acc e Rec. "Itene pur"
8.
 Aria "Ho un certo rossore"
9.
 Rec. "M'hai vinto al fin" / Duettino "Ritornava al suo bel viso" / Rec. "Spera, mio ben"
10.
 Aria "Chi possessore" / Rec. "Ecco Dorinda"
11.
 Aria "Se'l cor mai ti dirà"
12.
 Rec. "Povera me!" / Aria "O care parolette"
13.
 Rec. "Noti a me sono"
14.
 Aria "Se fedel vuoi"
15.
 Rec. "T'ubbidiro" / Aria "Fammi combattere"
16.
 Rec. "Angelica, deh! lascia"
17.
 Terzetto "Consolati, o bella"
ACT 2
1.
 Cavatina "Quando spieghi" / Rec. "Perchè, gentil Dorinda"
2.
 Aria "Se mi rivolgo al prato"
3.
 Rec. "È questa la mercede" / Aria "Cielo! se tu il consenti"
4.
 Rec. "A qual rischio vi espone" / Aria "Tra caligini profonde"
5.
 Rec. "Da queste amiche piante" / Aria "Verdi allori"
6.
 Rec. "Dopo tanti perigli" / Aria "Non potrà dirmi ingrato" / Rec. "Dove guidate"
7.
 Aria "Verdi piante"
8.
 Rec. "Ah! perfida" /Acc. "Ah! stigie larve"
ACT 3
1.
 Sinfonia / Rec. "Di Dorinda alle mura"
2.
 Aria "Vorrei poterti amar"
3.
 Rec. "Più obbligata gli sono" / Aria e Rec. "Unisca amor in noi"
4.
 Aria "Già lo stringo"
5.
 Rec. "Di Dorinda all'albergo" / Aria "così giusta è questa speme"
6.
 Rec. "S'è corrisposto un core" / Aria "Amor è qual vento"
7.
 Rec. "Impari ogn'un da Orlando" / Aria "Sorge infausta une procella"
8.
 Rec. "Dorinda, e perchè piangi?"
9.
 Duetto "Finchè predi ancora il sangue" / Rec. "Vieni! Vanne precipitando" /Acc."Già per la man d'Orlando"
10.
 Arioso "Già l'ebbro mio ciglio"
11.
 Rec. "Ecco il tempo prefisso" / Acc. "Tu, che dal gran Tonante" / Sinfonia / Rec. "Ah! che fate, Signor?"
12.
 Rec. "Dormo ancora, o son desso?" / Duettino "Per far, mia diletta" / Rec. "Che vedo, oh Dei!"
13.
 Acc. "Vinse incanti" / Coro "Tronfa oggi'l mio cor"
in the press
Philippe Venturini
Les Echos, 30.05.2014

<<The Belgian baroque orchestra B'Rock is a well-oiled machine that sparks with the right conductor, which totally happens here. A well-balanced sound was noticed already from the overture. The orchestra played accurate and articulated subtle, but also kept space when necessary.>>

Annemarie Peeters
De Standaard, 20.05.2014
Nicholas Anderson
BBC Music Magazine, 14.06.2014
Rupert Christiansen
The Daily Telegraph, 06.09.2014
IlTeneroMomento, 29.04.2014

<<Handel's Orlando is one of the most fruitful collaborations of two star musicians. Together with B'Rock Orchestra and a top-class cast for the other roles, they prove that the baroque opera "Orlando" is modern and impulsive even nowadays.>>

Klassik Akzente, 07.05.2014

<<René Jacobs manifests himself as the ideal conductor. Also in the recording studio, he knows to create an undistorted theater atmosphere. In the hands of Jacobs, the Flemish baroque orchestra B'Rock produces a seasoned and brilliant sound.>>

Thiemo Wind
De Telegraaf, 16.05.2014
Joseph Newsome
Voix des Arts, 19.05.2014
Joshua Kosman
San Francisco Chronicle, 26.07.2014
David Shengold
Opera News (New York), 31.07.2014
Jean-Luc Clairet
ResMusica (Paris), 05.06.2014

<<Simply thrilling, exciting and enchanting.>>

Klassiek Centraal, 04.09.2014

<<Their fully focused approach and tremendous sharpness, which predominates constantly, seems to be the key for a breathtaking performance.>>

Hildegard Maertens
Kwadratuur, 23.10.2014
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