Young and old sing their story together with Paul Griffiths and the B’Rock musicians

Noble polyphony as consolation in a world at war, with compositions with field recordings created by Inne Eysermans and Katherina Lindekens.

In a darkly theatrical, sensorially-overwhelming whole, Aïda Gabriels mixes Baroque splendour with soundscapes and pop intermezzos. Will you join us at the banquet table, or will you watch from the sidelines as the main characters struggle with their craving for fulfilment?

ANNO combines and interweaves Vivaldi's well-known Four Seasons with Anna Meredith's own electronic compositions.

An energetic show filled with music and dance, a festive commemoration of the celebrating body through the ages.

Carl Philipp Emanuel Bach – the son of – left his own mark on music history, one that can't be neglected. As a composer at the crux of the Baroque and classical periods, his pieces are bursting with expressivity and a rapid succession of sharp contrasts.

A unique chamber version of Bach's St John Passion with just four singers, strings, flute, synthesiser and electric guitar. Meanwhile, the essences of the selected arias and choruses are visualised in an emotional language of movement, tension and release, by four acrobats from Tall Tales Company.

In Torment of Hearts, where three dancers, two singers, and an ensemble of seven musicians embody various manifestations of loneliness conveyed through four musical pieces from three different centuries.

In Il Quaderno di Nerina, based on poetry by Jhumpa Lahiri, Robin Verheyen blends the colour of historical instruments with saxophone and mezzo-soprano voice. Through improvisation, he builds a bridge between his creation and the refined polyphony in the Fantasias of Baroque composer Henry Purcell.

Carl Philipp Emanuel Bach's double concerto unfolds a colorful, lively soundscape under Andreas Staier's subtle musicality and the unmistakable character of Olga Pashchenko's harpsichord playing.

Johann Christian Bach’s Amadis de Gaule dives straight into the dark side of love. Behind the familiar world of knights, dragons, and magic lies the opera’s real story: the inner transformation of Amadis and Oriane, whose journey toward clarity and truth gives this work its force.

Telemann's dramatic oratorio describes the fear of God's judgment on the Last Day. The modern language inspired powerful musical images of fear, menace, and natural forces sent by God, but also hymns of praise and songs of thanksgiving.